
Contemporary
dance is eclectic and all-encompassing. You see African jazz to Nave
American Hopi rhythms. Choreographers love mixing it up for an exciting
display of prowess, with all kinds of cultural undertones. Dancing is an
art, indeed, apart from its role in promoting fitness and general good
health.
In past centuries, tribal dances were not for mere amusement as they
are today in some parts. They were vital parts of certain rites and
rituals. As such, they are to be called ceremonial dances. They are
recreated at present for historical purposes. Covering various aspects
of life, dancing celebrated hunting, harvesting, the need to give
thanks, and more.
Most often ritual dances were held in the open air, perhaps around a
central fire. They might be accompanied by prayers of victory or thanks.
Drums, rattles, bells, and voices gave the steps an impetus and defined
the mythological associations. Dancers would perform alone or in
groups, and would spend hours rehearsing these dances – there was
certainly no need for
a home gym system in that time. Healing dances might be private while ceremonial dances would be for public view.
Dancing was a kind of storytelling, and it continues to be to this
day. Movement becomes a kind of mime that recreates a time and a place.
Stories can be religious or pertain to folklore. They can encompass
personified animals. This is a great way to hand down information from
generation to generation.
Among the more well-known dances are the Grass Dance of the Pawnee,
Arapaho, Sioux, and Omaha, among many other tribes, and the Gourd dance
of the Cree. In the former, large feather bustles called crow belts were
worn along with a hair headdress. In the later, particular songs were
intoned. There is a type of ritual called “fancy dance” created by the
Ponca in the 1920’s to preserve their religion and culture at a time
when it was threatened by the government. There was a time when ritual
dances went “underground” to avoid persecution.
The fancy dance is actually a type of war dance and was popularly
performed for visitors to reservations or in Wild West shows. Other
tribes like the Kiowa and Comanche followed suit and a public art form
was born. There already was the pow wow circuit, but it grew in
proportion, giving Indians much-needed revenue during the Great
Depression.
Men and women both performed various dances, sometimes in circles. If
there were no costumes involved, a sash at least would be worn. Why the
government banned these dances is unknown in the 1930’s; but they have
survived to this day due to the industriousness of tribal historians. We
hope there will be longevity.
If you want to go farther back, you can read about the Hoop dance
which used up to 40 hoops to tell a story. Centuries ago, this ceremony
was conducted for the purposes of healing, and to achieve balance and
harmony in the universe. As a point of fact, the hoop represented the
never-ending circle of life. While dancing, the participants used them
to create symbols such as butterflies, snakes, turtles, flowers, or
eagles. It is wildly popular with tourists who understand its depiction
of the seasons, the elements like wind and water, and bodily forms.
Also legendary is the snake dance of the Hopi, which is still held
once a year in August. It is derived from an old water ceremony since
snakes are the guardians of springs. It has evolved into a rain dance
that beseeches ancestors to intervene. One is likely to witness not only
snakes, but feathers and rattles used amid constant chanting.
The rain dance is a sister event performed by agricultural peoples,
usually in the southwest such as the Hopi and Apache. The spirits are
implored to send rain for crops. In the spring, dancers celebrate the
planting season at a time when rain is sorely needed. Tribes seem to
have their own unique versions and costumes made of animal skins,
embroidered aprons, and jewelry of leather and silver. Dance steps
entailed zigzag patterns unlike the traditional circular movements.
Elders of every tribe can recount these dances and often show the
variety of movements involved. Such a veteran will talk about waiting
until dark to begin a ritual that lasted until dawn. Sometimes there was
fasting and sometimes a medicine made of plant roots was taken. If you
are talking to someone from the upper plains and Rockies, you will hear
about the Sun Dance that unites body and spirit. There could be pipe
passing, fasting, or ceremonial piercing of the skin. These dances were
cultural expressions that entailed personal sacrifice and prayer to
benefit the family and the community.
Thus dance is a multi-purpose enterprise with deep roots in the past.
They are supernatural, spiritual, but also very real. Lucky are those
who witness tribal movements that reveal the inner side of Native
American life.